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c. 1445 – May 17, 1510. Italian painter.

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Anicet-Charles-Gabriel Lemonnier
Niobe and her children killed by Apollo et Artemis

ID: 71532

Anicet-Charles-Gabriel Lemonnier Niobe and her children killed by Apollo et Artemis
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Anicet-Charles-Gabriel Lemonnier Niobe and her children killed by Apollo et Artemis


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Anicet-Charles-Gabriel Lemonnier

French Painter, 1743-1824  Related Paintings of Anicet-Charles-Gabriel Lemonnier :. | In the gardens of Castel Gandolfo | Isaac Blessing Jacob dfg | Dennis Miller Bunker Painting at Calcot | Details of Martyrdom of St.Matthew | The Battle of Barfleur, 19 May 1692 |
Related Artists:
Largillierre
Paris 1656-1746 French painter. Following his early training in Antwerp and London, he established himself in Paris, becoming one of the most successful portrait painters of the second half of Louis XIV's reign. Although Largillierre was patronized by the Court, most of his sitters came from the wealthy middle classes; by the end of his career he had produced (by conservative estimates) some 1500 portraits. In 1734-5 and again in 1738-42 he was Directeur of the Academie Royale de Peinture et de Sculpture.
Artur Timoteo da Costa
Brazilian 1882-1923 Artur Timoteo da Costa Gallery
CERQUOZZI, Michelangelo
Italian Baroque Era Painter, ca.1602-1660 Italian painter. He was a painter of bambocciate (low-life subjects), battles, small religious and mythological works and still-lifes. He was born of Roman parents, baptized in the parish of S Lorenzo in Lucina and spent his entire life in his native city. A member of the Accademia di S Luca since 1634, Cerquozzi attended meetings of the society as late as 1652. His friends included Domenico Viola, Pietro da Cortona and Giacinto Brandi. More significant were his associations with foreign residents in Rome. According to Baldinucci, Cerquozzi had special affection for the Spanish, owing to the patronage he received from the major-domo of the Spanish Embassy as a youth, and would often don Spanish attire as a sign of his sentiment. His Spanish connections may partly account for the many commissions he later received from patrons identified with Rome's pro-Spanish political faction (Haskell). Cerquozzi enjoyed equally good rapport with northern European residents of Rome. He is documented as having quartered with artists from beyond the Alps, including Paulus Bor and Cornelis Bloemaert, for the bulk of his career.






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